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Nashville Magic

by Maynard and the Musties

/
1.
They call me the little blind tailor my job is to make others look good got me some specialized paterns & now you got my girl on your hook Never saw it coming the way you stole her heart from me I guess having one less sense must be a disability and now I'm stuck here fumbling with my needles and pins wondering when these aweful heartaches will end
2.
there was a time I’d cash my chips in, for loving you but it seems this gamble brought me straight to hell No, today won’t be much better, as I’ve stopped loving you so drop me off at the next sleazy hotel chorus: They’ll have a bar set up with whiskies (pause) and mai tais They’ll be dancin’ drinkin’ fightin’ all around I might black out (pause) and forget a funny memory But it’s a gamble, at the next sleazy hotel talking verse: the chains of good behavior at the hilton, or sheraton won’t hold this boy from hangin on to the next indulgent sin & when this body slips away and death knocks at the door it will open to this loser with a drunken little whore repeat chorus
3.
C-G yeah we had a little talk before we all come down & we drove over here from the other side of town & I walked into these great big doors & it looks so fancy haven’t lived like this before & the people all smile & their talking all around I got friends everywhere on this side of town F-C I got friends everywhere on this side of town gonna make it my home with these people all around got friends everywhere on this side of town ain’t it great I’ll have them the whole year round C-G solo repeat F-C so we had a little party in the middle of it all the ladies gathered ‘round in their prettiest gowns So I danced all night with every lady I found having fun with my friends out in this part of town
4.
a breeze sang through my hair, I turned my head & love was standing there you were mine before I knew it, before I even knew your name we walked around together in a city strange and foreign listening to bowie on a shared walkman while we rummaged through the market And I did, I did, I did, love you, I did love you. we made fun of leonard cohen cuz we didn’t know what love was tho we fell in love like magic, never knowing what what we were hummin’ never went down to the river, just holed-up in your bedroom when the window flew open, a thousand wings were flappin’ And I did, I did, I did, love you, I did love you. (solo) she’s hidden in the hallway like a secret stash of money she holds all the beauty of a love that lost it’s boundaries she cries like a fiddle, she laughs when someone’s coming you fill every corner with the sound of Jesus humming And I did, I did, I did, love you, I did love you. And I did, I did, I did, love you, I did love you.
5.
I Feel Love 02:49
I feel love down by the river where we walk arm & arm most every day I feel love, just flutter and quiver & the more I feel it come each passing day We made the right mo - oo - oove & we're here to stay Don't believe those nay-sayers they're just striking out for gold, while their ship sails away -break- on chorus: They might buy condos (condos, condos), drive fancy cars wine & dine in fancy bars we just have each other & love that glows in the dark & unlike some others, we never doubt
6.
I wanna do everything with you stand in line at the bank or go to the zoo pick corn on the cob from between our teeth take off our clothes & run on the beach (chorus) time passes slowly then sometimes fast drowning in still water ain’t like drinking from a glass you and I have a sketchy kinda past but I’m still your tool & your still my ass (solo) (talk verse) we’ve made love 15,000 times crossed damned near every relationship line laughed or sneered at every joke cried & screamed at the end of our ropes got jealous & hateful or just relieved to finally sleep on new years eve with fewer years in front than in the rear we can still look forward to laughter & tears (chorus:) Remember when life was all dewey and sweet smelled of lilacs & sounded like a long, deep breath you and I have our checkered little past oh but, I’m still your tool & Lord, you’re still my ass
7.
Ladies Man 03:22
Am E The Good Lord Brings me down to see the hell I’ve made (Am) He says, “You’re so creative (E) son, you never bothered sharing a ring (Am) & the hearts you made to hate the truth are coming after you & they vow to lay you proper in your grave C G Am A Ladies’ man must watch his every move Cuz he (C) drags them through the ringer (G) though he thinks (E) he’s being smooth They’ll catch (Am) up with you soon (C) enough & push (G) you when you stumble (E) (E) & knock that gravel over you (E) & watch your weak bones crumble (Am) So you think you are a Christian man who needs someone to marry every lowly thought within is just another cross for Christ to carry the animal within your loins will beg, borrow & steal you’ve brought so many ladies down not even a justice will cut a deal
8.
G When I see you there G The truth comes to me B I don’t know what I’d do C Without you G I’d borrow some pride & come C home D to have you by my side -solo- G Time’s standing still G Once again B I can’t get on C without my best friend G I’d borrow some pride & come C home D to have you by my side
9.
Sell-by Date 02:39
it takes five years to learn guitar another ten you might get pretty far another 15 and you’re all washed up & the cycle starts again with another young pup you learn to play football when you’re 7 or 8 pop warner gets you hooked on competitive hate if you’re lucky you can go to a college somewhere til they’ll spit your ass into a puddle of tears seems everyone has they’re own sell by date I guess mine was back by the starting gate and we all wound up in this fucked up town had a few good times but now it’s all come down solo Now you’re all revved up for retirement Burning through money like cheap incense a few fine years to do it all If you can muster it up for a port of call Soon enough they’ll drop you in a cemetary plot New & shiny with a big parking lot til the city re-zones it for a fancy hotel & dumps your rotten carcass in a big landfill Guess everything now has a sell by date even if its way back by the starting gate its all been buried in this fucked up town with a hedge fund manager to tramp it down Guess everything now has a sell by date even that ole starting gate its all been buried in this fucked up town with a hedge fund manager to tramp it down

about

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UPCOMING GIGS:



yeah, well... we'll see...

Sat, May 2
The Pond
Franklin, TN

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Always working on new stuff, playing w new people... here's a clip w Mark Thornton, Eddie Lange and Mark Robinson... youtu.be/uiSQHxN0SVs

Michael Graca of The Americana Music Show clocks in with the first review of Nashville Magic:
americanamusicshow.com/review-nashville-magic-by-maynard-the-musties/

And here's a recent "Essential 8" questions answered by Mssr. Maynard for The Daily Country:
thedailycountry.com/interviewsessential-8/essential-8-maynard-the-musties

We were on WXNA talking with Gina Frary Bacon on "Nashville U". The second hour of the show: www.wxnafm.org/shows/#/broadcasts/7111
or mixcloud has just our segment: www.mixcloud.com/ginafrary/maynard-the-musties-live-on-wxna-recorded-5518/

...and now that Gina is on WFMU's Give the Drummer stream, she had us on her new show, "Someday Matinee"... here it is... from Delgado's guitars in East Nashville... wfmu.org/playlists/shows/86057


Nashville Magic is the 5th release by Maynard and the Musties, the first to be recorded in Nashville, where Maynard spent much of his childhood before moving to New York City for art school in the 80s. After 30+ years, Maynard began commuting back to Nashville to help with his aging dad before finally moving back. Nashville Magic evokes that transition. While Sell-By Date represents the end of Maynard’s time in NYC, I’ve Got Friends Everywhere is based on visiting retirement homes with his dad, who walked into one declaring, “I’ve got friends everywhere!” The instrumentation is mostly Nashvillians, with Donnie Winters, ex-Winters Brothers, a Nashville favorite, on dobro and Les Paul. Tim Jones’ warm harmonica inflitrates most tracks. Maynard met both of them at the Douglas Corner Cafe, where Donnie hosts the open mic. The rhythm section features Jon Estes from Steelism, and Aaron Mortenson from Los Colognes. Michael Randall, long-time friend and collaborator from New York, plays most guitar leads. Listening back to the tracks, all recorded “live,” Maynard thought a good variation would be keyboards, especially since the Bomb Shelter had a room full of vintage beauties. Tyson Rogers was brought in to track on a couple numbers. All said, the recordings have a loose, rootsy feel, with very catchy beats (for the kids!).

credits

released October 22, 2017

Michael Randall: Lead guitars
Donnie Winters: Dobro and lead guitars, harmony vocals
Tim Jones: Harmonica
Tyson Rogers: keyboards
John Estes: Upright and electric bass
Aaron Mortenson: Drums

Produced by Billy Bennett and Maynard and the Musties, and everyone collectively
Recorded by Billy Bennett at The Bomb Shelter, East Nashville, TN
Mixed by Andrija Tokic at The Bomb Shelter, East Nashville, TN
Mastered by John Baldwin
All songs written by Joe Maynard

Cover illustration by Kevin Walters
Design by Hot Griddle Design

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Maynard and the Musties Nashville, Tennessee

Maynard has painted paintings, written stories and for the past couple decades written and performed songs... here, take a listen:

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